Kikuyu Love Sessions returned this Mother’s Day with Mothers & Melodies: Chapter Two, a warm cultural gathering that brought together music, family, memory, and the women who continue to hold […]
Kikuyu Love Sessions returned this Mother’s Day with Mothers & Melodies: Chapter Two, a warm cultural gathering that brought together music, family, memory, and the women who continue to hold communities together.
Held on Sunday, 10 May 2026, in Tigoni, the event ran from midday into the evening, creating a full-day experience for families, music lovers, vendors, and culture enthusiasts. Nairobi Events Guide listed the event under cultural shows and festivals, with the programme running from 12 PM to 9 PM.
This second chapter built on the heart of the first edition: celebrating mothers not only as caregivers, but as women with stories, rhythm, youthfulness, dreams, and joy of their own. Kikuyu Love Sessions described the edition as a celebration of “that girl still living inside her” — the one who still wants to dance, feel, and be seen.
From the photos, the day carried more than just a concert atmosphere. It felt like a cultural homecoming. There were live performances, Kikuyu music, stage moments, vendor stands, and heritage-centred storytelling. The presence of books such as Gũcũgia Mwana and Itara added a powerful literary and cultural layer to the event, reminding guests that preserving identity is not only done through song, but also through stories passed from one generation to the next.
Author beside Gũcũgia Mwana and Itara cultural book banner at Kikuyu Love Sessions Mothers and Melodies.
On stage, the event leaned fully into its “melodies” promise. Performers brought colour, voice, and movement to the Mothers & Melodies stage, with online updates and media snippets pointing to appearances by names such as Grace Mwai, Esther Wahome, Kayamba Africa, Naomi Mukami, and others.
Kayamba Africa’s performance, captured against the bold stage backdrop, gave the event a strong communal energy. Their sound and stage presence tied well into the broader theme of cultural pride, live music, and shared memory. Other performance moments, including solo vocal sets and live band arrangements, added variety and emotion to the afternoon and evening.
The event also received wider visibility through Royal Media Services, with Citizen TV and Inooro-linked updates positioning the media group as a key partner for the second chapter. Citizen also shared “sights and sounds” from the Mothers & Melodies edition, helping extend the event’s reach beyond those who attended physically.
What stood out most, however, was the balance between entertainment and meaning. Mothers & Melodies was not just a Mother’s Day outing. It was a space where music, motherhood, books, language, and cultural identity met in one setting. It reminded guests that celebration can be joyful and reflective at the same time.
For Kikuyu Love Sessions, Chapter Two appears to have strengthened the event’s place as more than a themed concert. It is becoming a cultural experience — one that gives families a reason to gather, artists a stage to perform, vendors a space to connect, and mothers a moment to be seen in full.